Archive for October, 2011

04 ‘Lindisfarne I’ – James Blake – James Blake

  • vocals only – heavy autotune manipulations
  • (reminiscent of imogen heap’s ‘hide and seek’)
  • longest lyrics on the album so far
  • some electronics (sweeping phaser?) at the end
  • leads in to part 2…

KEY IDEAS to plunder

  1. solo vocals
  2. ringing phasing effect

James Blake (2011) – James Blake

  1. unconventional song structures
  2. multiple layers of vocals and overt electronic manipulation
  3. sparse, minimal materials yet result is rich
  4. lyrically economical – often a single line is repeated for an entire song. non-narrative lyrics
  5. use of electronics yet still highly emotive – coldly modern yet traditionally emotive at the same time
  6. extreme bass

01 ‘Unluck’ – James Blake – James Blake

  1. overlapping lyric – almost a round
  2. poly rhythmic hi hat

02 ‘The Wilhelm Scream’ – James Blake – James Blake

  1. overall structure with noise crescendo
  2. single melody/lyric line repeated

03 ‘I Never Learnt To Share’ – James Blake – James Blake

  1. crescendo plateaus into loop
  2. single line repeated but with gaps and last paraphrase repeats

04 ‘Lindisfarne I’ – James Blake – James Blake

  1. solo vocals – reminiscent of imogen heap’s ‘hide and seek’
  2. ringing phasing effect

05 ‘Lindisfarne II’ – James Blake – James Blake

  1. distorted acoustic guitar – sound like mic distortion?
  2. off beat woody tuned percussion

06 ‘Limit To Your Love’ – James Blake – James Blake

  1. deep, oscillating bass
  2. long pause with delays fading out

07 ‘Give Me My Month’ – James Blake – James Blake

  1. live performance recorded in a sonically interesting place (ie. background sound)
  2. falsetto vocals

08 ‘To Care (Like You)’ – James Blake – James Blake

  1. popping edit loop, changing chord, as backbone of song
  2. double meaning homophones

09 ‘Why Don’t You Call Me’ – James Blake – James Blake

  1. begin with ‘live performed’ section, then build track from edited loops of same material
  2. use edit pops as beat

10 ‘I Mind’ – James Blake – James Blake

  1. vox loop layers as harmony and melody
  2. white noise as cymbal (swell, reverse ‘open hi hat’) – ducked by kik
11 ‘Measurements’ – James Blake – James Blake

  1. harmonies with slight differences – reminiscent of queen’s ‘somebody to love’
  2. hiss/overdub artefact as deliberate texture

03 ‘I Never Learnt To Share’ – James Blake – James Blake

  • begins with solo vocal
  • single repeated lyric/melody line
  • first repeat adds a harmony
  • second repeat adds a second harmony
  • organ enters halfway through the above
  • distorted, bubbling organ (almost soloing) turns into chords
  • bass enters next time around
  • vox repeats stop leaving kik/snr/hat (all one the beat) plus offbeat finger click, delayed organ
  • vox returns with rim shot
  • vox harmonies repeat in a round
  • organ and bass get busier, melodic runs
  • last line is repeated, overlapped while organ goes crazy ascending (out of key on the way)
  • plateaus into a 3 chord loop, tremelo-ing
  • vox drop out
  • drums stop
  • organ fades

KEY IDEAS to plunder

  1. crescendo plateaus into loop
  2. single line repeated but with gaps and last paraphrase repeats

02 ‘The Wilhelm Scream’ – James Blake – James Blake

  • single lyric/melody line repeated – with slight variations in text
  • 10 x 9 bar measures – the first section has no vox.
  • the 11th and final measure is only 7 bars
  • vox flutters from left to right rapidly
  • big reverb on the vox
  • big crescendo of ‘noise’ begins at the 5th section and ends at the 11th (outro)
  • 1st: long organ chords and kik/snr intro
  • 2nd: vox
  • 3rd: counter melody + ‘drain’ percussive hit with reverb
  • 4th: vox harmonies
  • 5th: noise begins to creep in
  • 6th:
  • 7th: drums drop out – heavy bass
  • 8th: kik back in
  • 9th: opening hi hat in – gets ducked by kik
  • 10th: closed hi hat ticking in – combines with ducked open hat
  • 11th(outro): drums except kik drop out, noises dies away, vox loses verb

KEY IDEAS to plunder

  1. overall structure with noise crescendo
  2. single melody/lyric line repeated

01 ‘Unluck’ – James Blake – James Blake

  • intro consists of organ, kik/snr + noise as one beat (offbeat) per bar
  • chord structure = A B / A B / C D / C E /
  • drums drop out for bars 7 & 8
  • then drums return with vox and hi hat
  • poly-rhythmic hi hat
  • vox doubled in wide stereo + harmonies later
  • two lines of lyric repeated – last word overlaps with first word
  • enormous organ volume swell almost drowns track out
  • overall track switches between 2 parts – swelling organ AND suddenly muted organ
  • drums drop out, organs dies away, last word is cut suddenly

KEY IDEAS to plunder

  1. overlapping lyric – almost a round
  2. poly rhythmic hi hat
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