shut up and listen

• instrumental to close the album
• rain sfx
• acoustic gtr picking
• mournful verbed elect. gtr solo, lynchian
• shakers, then conga and bass join

KEY IDEAS to plunder

1. instrumental bookend to album

• all in 3 piece
• sax drops out for verse vox
• vox ‘sheila’ doubled with sax
• sax doubled and hard panned
• lyric

KEY IDEAS to plunder

1. vox ‘sheila’ doubled with sax
2. lyric

• 3 piece all in from start – slow, plodding track (in contrast to prev. fast track)
• big verb on sax, pushing it back into the distance
• radio effect (EQ) on vox
• harmonies; high is distant (with delay/echo) low is close
• chorus breakdown; beat breaks down, sax gets very low, ends with pause
• organ solo (drums use cowbell instead of hats)
• strange ending … just peters out

KEY IDEAS to plunder

1. vox harmonies; high is distant (with delay/echo) low is close
2. strange ending … just peters out

• fastest track on the album
• all in from the start except vox
• sax makes room for vox in verse
• chorus; hi hat only, vox harmonies. hats stop for delivery of title vox
• sax solo, distant sax backing
• ending; vox only, slows down

KEY IDEAS to plunder

1. chorus; title repeated. hi hat only, vox harmonies. hats stop for delivery of title vox
2. ending; vox only, slows down

• all in from start – 3 piece (sax, 2 string bass, drums)
• subtle vox doubling (or chorus/delay?)
• more obvious doubling in outro/refrain
• song title sung in inst. pauses

KEY IDEAS to plunder

1. song title sung in inst. pauses
2. vox doubling/chorusing increases throughout track