Archive for the ‘The Suburbs (2010) – Arcade Fire’ Category

16 ‘ The Suburbs (continued)’ – The Suburbs (2010) – Arcade Fire

  • last track on the album, continuation of first track on the album
  • very short
  • same chords, same melody, same chorus lyric, same tempo
  • strings open the track
  • hi hat subtly enters with beat (drum machine snr?)
  • vox, verbed
  • fem vox join as harmony
  • synth bass joins for chorus
  • vox: male/fem call and response
  • starts to fade out as soon as the chorus starts

KEY IDEAS to plunder

  1. last track on the album, continuation of first track on the album – bookend the album
  2. same chords, same melody, same chorus lyric, same tempo but different feel

15 ‘Sprawl II (Mountains Beyond Mountains) – The Suburbs (2010) – Arcade Fire

  • intro; synth drone, kik, piano, four count
  • drums, synth bass, synth keys, strings, ac gtr, fem vox
  • rapid two note off beat highlight
  • male bvs harmonies
  • bridge: changes key, up 3 steps. ending returns to original key

KEY IDEAS to plunder

  1. bridge: changes key, up 3 steps. ending returns to original key
    <capo 3rd fret> C Am F C – Eb Cm (G bridging chord) – C Am F C
    I VIm V I  – (up 3 steps) I VIm  – bridging chord: III major (new key)/V major (old key) – (down 3 steps) I VIm V I
  2. rapid two note off beat highlight

14 ‘Sprawl (Flatland)’ – The Suburbs (2010) – Arcade Fire

  • ambient noise from previous track
  • elc gtr picking, 3/4 time
  • distant verbed hi hat
  • vox
  • bass, strings, piano
  • staccato(?) violin – like ‘godfather’ italian drama
  • perc, bass and beat drops out
  • bass returns, re-establishing beat
  • slowdown, decelerando ending

KEY IDEAS to plunder

  1. distant, verbed (warehouse) percussion against intimate vox – lonely feel
  2. staccato(?) violin – like ‘godfather’ italian drama

13 ‘We Used To Wait’ – The Suburbs (2010) – Arcade Fire

  • piano stabbing – Am (like church’s ‘all i know’)
  • hi hat joins, vox enters
  • kik, snr – tuplets?
  • distant organ/synth
  • bass, elc gtr enter after 2 lines of first verse
  • elc gtr stabs match snr tuplets, big verbed sfx/stab every few bars, fem bv match snr too
  • bridge: drums drop out except for 4 on the floor kik, synth bass reinforces bass line, synth keys build
  • elc gtr stabs wait for first line of verse before entering
  • middle (between 2nd verse and 1st chorus): single chord instrumental build
  • chorus: ‘ooh, we used to wait’ repeated, multi vox
    drums, bass, synth keys,
  • verse, bridge, chorus without build this time
  • after chorus breakdown; bass, kik, synth strings, vox, all build ….
  • final section is half a bar short
    1234 1234 1234 12
    AmC AmC F C D5
  • sudden finish, piano stabbing, delayed, fades out
  • ambient noise (train interior?) crosses into next track

KEY IDEAS to plunder

  1. elc gtr stabs match snr tuplets, big verbed sfx/stab every few bars, fem bv match snr too
  2. middle (between 2nd verse and 1st chorus): single chord instrumental build

 

 

12 ‘Deep Blue’ – The Suburbs (2010) – Arcade Fire

  • 6/8 or 12/8 again
  • ac gtr and drums, vox beginning
  • delay on 4th snr
  • piano and cellos/horns enter
  • one note piano riff – on the snr beat – reminiscent of police’s ‘every breath’
  • synth noises, synth/elc gtr sample? doing triplets (actually on the beat)
  • chorus: elc gtr and strings enter
  • cymbals splashes
  • elc gtr – 2 note riff/solo

KEY IDEAS to plunder

  1. one note piano riff – on the snr beat – reminiscent of police’s ‘every breath’
  2. elc gtr – 2 note riff/solo

 

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