Archive for the ‘The Suburbs (2010) – Arcade Fire’ Category
- last track on the album, continuation of first track on the album
- very short
- same chords, same melody, same chorus lyric, same tempo
- strings open the track
- hi hat subtly enters with beat (drum machine snr?)
- vox, verbed
- fem vox join as harmony
- synth bass joins for chorus
- vox: male/fem call and response
- starts to fade out as soon as the chorus starts
KEY IDEAS to plunder
- last track on the album, continuation of first track on the album – bookend the album
- same chords, same melody, same chorus lyric, same tempo but different feel
- intro; synth drone, kik, piano, four count
- drums, synth bass, synth keys, strings, ac gtr, fem vox
- rapid two note off beat highlight
- male bvs harmonies
- bridge: changes key, up 3 steps. ending returns to original key
KEY IDEAS to plunder
- bridge: changes key, up 3 steps. ending returns to original key
<capo 3rd fret> C Am F C – Eb Cm (G bridging chord) – C Am F C
I VIm V I – (up 3 steps) I VIm – bridging chord: III major (new key)/V major (old key) – (down 3 steps) I VIm V I
- rapid two note off beat highlight
- ambient noise from previous track
- elc gtr picking, 3/4 time
- distant verbed hi hat
- vox
- bass, strings, piano
- staccato(?) violin – like ‘godfather’ italian drama
- perc, bass and beat drops out
- bass returns, re-establishing beat
- slowdown, decelerando ending
KEY IDEAS to plunder
- distant, verbed (warehouse) percussion against intimate vox – lonely feel
- staccato(?) violin – like ‘godfather’ italian drama

- piano stabbing – Am (like church’s ‘all i know’)
- hi hat joins, vox enters
- kik, snr – tuplets?
- distant organ/synth
- bass, elc gtr enter after 2 lines of first verse
- elc gtr stabs match snr tuplets, big verbed sfx/stab every few bars, fem bv match snr too
- bridge: drums drop out except for 4 on the floor kik, synth bass reinforces bass line, synth keys build
- elc gtr stabs wait for first line of verse before entering
- middle (between 2nd verse and 1st chorus): single chord instrumental build
- chorus: ‘ooh, we used to wait’ repeated, multi vox
drums, bass, synth keys,
- verse, bridge, chorus without build this time
- after chorus breakdown; bass, kik, synth strings, vox, all build ….
- final section is half a bar short
1234 1234 1234 12
AmC AmC F C D5
- sudden finish, piano stabbing, delayed, fades out
- ambient noise (train interior?) crosses into next track
KEY IDEAS to plunder
- elc gtr stabs match snr tuplets, big verbed sfx/stab every few bars, fem bv match snr too
- middle (between 2nd verse and 1st chorus): single chord instrumental build
- 6/8 or 12/8 again
- ac gtr and drums, vox beginning
- delay on 4th snr
- piano and cellos/horns enter
- one note piano riff – on the snr beat – reminiscent of police’s ‘every breath’
- synth noises, synth/elc gtr sample? doing triplets (actually on the beat)
- chorus: elc gtr and strings enter
- cymbals splashes
- elc gtr – 2 note riff/solo
KEY IDEAS to plunder
- one note piano riff – on the snr beat – reminiscent of police’s ‘every breath’
- elc gtr – 2 note riff/solo
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a track by track analysis of key productions
to take inspiration from