Archive for December, 2011

03 ‘ Vogt Dig For Kloppervok’ – Lost and Safe (2005) – The Books

  • portamento – melody sliding between notes
  • tremelo vocal effect – like butthole surfers ‘hurdy gurdy man’
  • ducking

KEY IDEAS to plunder

  1. portamento
  2. tremelo vocal effect – like butthole surfers ‘hurdy gurdy man’
  3. ducking

02 ‘Be Good To Them Always’ – Lost and Safe (2005) – The Books

  • spoken samples used as template for song structure
  • kik – sounds like basketball bouncing
  • great riff – call & response (possibly using delay)
  • lyric/vox: first lines are sung solo, then spoken samples double, then the lyrics repeat but spoken only

KEY IDEAS to plunder

  1. spoken samples used as template for song structure
  2. kik – sounds like basketball bouncing
  3. great riff – call & response (possibly using delay)

01 ‘A Little Longing Goes Away’ – Lost and Safe (2005) – The Books

  • interestingly, no spoken word samples feature in this track
  • elct gtr and elct tones
  • slow, 2 chord progression
  • soft kik, bass on the 1s
  • vox is gentle spoken/sung
  • artificial tremelo effect – like Butthole Surfers ‘The Hurdy Gurdy Man’
  • also, uses panning and doubling
  • stops suddenly

KEY IDEAS to plunder

  1. artificial tremelo effect – like Butthole Surfers ‘The Hurdy Gurdy Man’
  2. stops suddenly

Lost and Safe (2005) – The Books

  • spoken word samples as basis for lead vox and/or song structure
  • melodic yet down tempo, rather than emotively strident
  • ‘recitative’ – singing in rhythms of ordinary speech (Sprechgesang)
  • sometimes pitches are not emphasised (monotone or sprechstimme )

01 ‘A Little Longing Goes Away’ – Lost and Safe (2005) – The Books

  1. artificial tremelo effect – like Butthole Surfers ‘The Hurdy Gurdy Man’
  2. stops suddenly

02 ‘Be Good To Them Always’ – Lost and Safe (2005) – The Books

  1. spoken samples used as template for song structure
  2. kik – sounds like basketball bouncing
  3. great riff – call & response (possibly using delay)

03 ‘ Vogt Dig For Kloppervok’ – Lost and Safe (2005) – The Books

  1. portamento (sliding between notes)
  2. tremelo vocal effect – like butthole surfers ‘hurdy gurdy man’
  3. ducking

04 ‘ Smells Like Content’ – Lost and Safe (2005) – The Books

  1. a lot of words delivered very quickly
  2. 4 chord pattern in 7 bars
    1 / / 2 / / 3 / / 4 / /  / / /  / / /  :

05 ‘It Never Changes To Stop’ – Lost and Safe (2005) – The Books

  1. voice breaks – keep a flaw/mistake, make it a central point of focus
  2. lyric: repeat a point but worded slightly differently – as i do in everyday speech

06 ‘An Animated Description of Mr. Maps’ – Lost and Safe (2005) – The Books

  1. drum accents match spoken word accents from a certain point
  2. do the above with singing

07 ‘Venice’ – Lost and Safe (2005) – The Books

  1. score an existing narrative – documentary? news story?
  2. music cuts right on the final word of narrative

08 ‘None But Shining Hours’ – Lost and Safe (2005) – The Books

  1. gtr riff in 3s against a 4/4 rhythm
  2. ripping sfx beat, rhythmic atmos

09 ‘If Not Now, Whenever’ – Lost and Safe (2005) – The Books

  1. layers of spoken word samples, overlapping
  2. switching from 3/4 to 4/4 and back again

10 ‘An Owl With Knees’ – Lost and Safe (2005) – The Books

  1. plucking, delay, gtr rhythm
  2. chords and vox together, on 1s
11 ‘Twelve Fold Chain’ – Lost and Safe (2005) – The Books

  1. shuffling background noise adds atmosphere – is it a loop?
  2. crackling ‘percussion’ – vinyl surface noise as rhythm

Lost and Safe (2005) – The Books

  • spoken word samples as basis for lead vox and/or song structure
  • melodic yet down tempo, rather than emotively strident
  • ‘recitative’ – singing in rhythms of ordinary speech (Sprechgesang)
  • sprechstimme is closer to speech itself in that pitches are not emphasised (monotone)
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