shut up and listen

• all in from start – 3 piece (sax, 2 string bass, drums)
• subtle vox doubling (or chorus/delay?)
• more obvious doubling in outro/refrain
• song title sung in inst. pauses

KEY IDEAS to plunder

1. song title sung in inst. pauses
2. vox doubling/chorusing increases throughout track

• return to 3 piece inst.
• fuzz gtr intro (& outro)
• then all in (bass, sax and drums)
• vox enters, drums only
• bass responds to vox lines
• sax enter instrumental break + distant distorted gtr
• sax is two harmonising lines, hard panned
• 2nd verse; sax responds to vox lines
• 4th verse; vox harmonies

KEY IDEAS to plunder

1. vox and inst. call and response
2. monophonic instr. harmonised riff, hard panned

• break from style and instr. of previous tracks (and later tracks)
• no sax, no drums, no 2 string bass
• mandolin, acoustic gtr, vox
• radio effect (EQ) on whispered vox

KEY IDEAS to plunder

1. complete break in style from previous (and later) tracks
2. radio effect (EQ) on whispered vox

• doubled sax riff, hard panned
• main lyrics line inserted in pause.
• bass riff constant throughout, sections modulated by arrangement
• breakdown section; no bass, sax stabs at riff, drums focus on toms
• ‘jet plane’ fuzz/hum sound effect in final section

KEY IDEAS to plunder

1. main lyrics line inserted in pause.
2. breakdown section; no bass, sax stabs at riff, drums focus on toms

• chorused bass (or is it just the 2 strings playing the same note?)
• two saxes, hard panned, playing different long notes – creating almost chords
• verse and chorus are same chords but chorus is led into by a bridge

KEY IDEAS to plunder

1. verse and chorus are same chords but chorus is led into by a bridge
2. hard panned monophonic instruments to create chords