Archive for the ‘Berlin (1973) – Lou Reed’ Category
- no silence between preceding track
- bass and piano harmonising in sync
- drum fills drop in and out
- beat kicks in with elec gtr slide, vox joins
- horns in choruses and lead break
- song fades out – cross fades with drums of next track
KEY IDEAS to plunder
- lyric: (1. location 2. her 3. him 4. he says/she says) 5. DRUG PARANOIA (6. hate)
- lyric structure; A B A2 A B A2
- woodwind vs drums/bass call and response intro
- drums, bass, elect gtr, acoustic gtr, lead vox, female backing vox, woodwind
KEY IDEAS to plunder
- lyric: (1. location 2. her 3. him) 4. HE SAYS/SHE SAYS (5. drug paranoia)
- lyric structure; A1 A2 B C1 C2 A1 A2 B
- tinkling piano, picking electric guitar + vox
- drums, bass and elect guitar stabs on the beat enter, delay on vox enters
- bass runs
- strange phased guitar on distant far right (sounds like a sitar)
- delayed vox during chorus repeat and song fade
KEY IDEAS to plunder
- lyric: (1. location 2. her) 3. HIM (4. he says/she says)
- lyric structure; A B A B A B A B C C C C
- introduces band instrumentation
drums, bass, piano, organ, lead vocal, acoustic guitar, strings
- march feel to the beat at times
- very dramatic
- some lines of vocal doubled
- chorus ‘i said no, no, no oh lady day’ repeats as track fades out
KEY IDEAS to plunder
- lyric: (1. location) 2. HER (3. him)
- lyric structure; A1 A2 B A1 A2 B B B B
- ‘field’ recording of a bar ie. cuts in abruptly, noisy/distorted, off key singing ‘happy birthday’
- underneath a well recorded piano tinkles sadly
- ‘bar’ fades out and moves off to the left
- piano emerges and the chord progression becomes evident
- lyrics establishes place, and characters, and emotion (sadness)
- subtle delay/reverb on vocal
KEY IDEAS to plunder
- use of field recording to set place and mood
- softly sung/spoken vocals ‘it was paradise’
- lyric: 1. LOCATION (2. her)
- lyric structure; A B A B
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a track by track analysis of key productions
to take inspiration from